I got around to visiting the new Gilder Center by Studio Gang at the American Museum of Natural History last weekend, and it's visually stunning. It's a grand cavern, with stairs and stadium seating at the focal point. It's breathtaking. It's also a little heartbreaking.
Showing posts with label stairs. Show all posts
Showing posts with label stairs. Show all posts
Wednesday, June 7, 2023
Tuesday, February 2, 2021
Sitting on Public Stairs
They are a place to rest, to wait for someone you're meeting, to relax and watch the world go by. On a thriving city street, large public stairs are naturally filled with sitting people.
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Steps at the New York Public Library https://maps.app.goo.gl/2mDZYiMqBh4AhmRH9 |
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Steps at the Metropolitan Museum of Art https://maps.app.goo.gl/AUwfbgf6ENYpHErr5 |
So when I see an image of a large staircase on a busy street with nobody sitting on it, something is wrong with the picture:
Saturday, December 5, 2020
The Path of Restoration
Abandoned places in New York City are becoming increasingly rare. On a recent excursion with my son, I intended to go explore an abandoned place I hadn't visited for a few years. When we got there, I discovered that it had been reactivated.
The staircase down from the street had previously been walled off, but now the wall and the fence on top of it had been altered to reopen the stairs onto the sidewalk. The path that wraps around under the railroad tracks to the train station has been cleared and repaved. The vines that had covered the carved stone on the wall have been cleared off. A new fence closes off the train tracks, replacing the ruins of the old iron fence that had been broken and partially consumed by decades of tree growth. Construction debris that had previously been dumped in this area was gone and the place looks remarkably clean. We saw a couple people stroll or jog through enjoying the path and stairs while we were there.
Saturday, November 2, 2019
An Alleyway and the Joker Stairs
In a dank alleyway, far beneath the metropolitan skyscrapers, there exists a temporal loop. A rich couple, having taken an ill-advised shortcut from the theatre to reality, are shot dead over and over, each time in slightly different variations but always with the same outcome.
Darran Anderson, Imaginary Cities
On Halloween, I watched the new Joker movie at a cinema in The Bronx. There has been a lot of discussion locally about the influx of tourists to "the Joker stairs," but as an urban planner, I would have been scrutinizing the details of the newest version of Gotham City anyway. As I noted in a review of Imaginary Cities, the variations of Gotham over time show changes in the fears lurking in the dark places of our collective consciousness.
Joker almost entirely abandons any effort at developing a fictional Gotham City. With almost no alterations, it is unmistakably New York City. More precisely, it is the mythos of the "bad old days" of New York in the 1970s and 80s, complete with the 1981 garbage strike. Stylistically, it draws visual and acting cues from Scorsese's Taxi Driver (1976), a reference that is directly reinforced by Robert De Niro's character in the film. The details in the streetscape that were altered to recreate the appearance of New York in 1981, and even those that were missed, can be informative. The tagging on the subway and the porn titles on the theater marquees (channeling the Times Square's era of infamy) keep the sense of disorder palpable. Choosing this period was an effective way to capture the grit that has always defined Gotham in the comics and movies, something that has become more difficult as cities have been largely rebuilt into glossier places that are much safer. More importantly, it captures current anxieties about going back to the "bad old days."
The only significant real fictional change to New York's built form in this movie was the insertion of an alley into the old Deuce. Although it appears much of this may actually have been filmed at locations in Jersey City and Newark (places where commercial strips have not been as extensively redeveloped), there is no doubt this was a recreation of 42nd Street in the Time Square area. New York is not a city of alleyways, but the filmmakers revised the infamous streetscape of porn theaters to include one. As usual in dark urban fiction, an alley is a residual space where garbage collects and the retreating effects of society no longer reach. The opening sequence of the movie concludes in this lawless Gotham locale; we see the violent nature of this city as we get to know Arthur Fleck as a helpless victim before he transforms into the Joker. It is this attack that sets in motion the series of events that send Arthur spiraling out of control.
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Arthur Fleck lying in the alley after he was attacked
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Sunday, February 12, 2017
A Split in the Stairs
It had been a while since I took the stairs going up to the Morris Park subway station.

Sometimes you notice something new when you revisit a place you used to frequent often. This time, the split in the stairs caught my attention.
Even with its basic, undecorated design, I suspect there was still a Beaux Arts sensibility with a desire for symmetry. I am not so sure the double stairs with a shared landing were based on a functional program.
If there were a functional consideration, it was most likely the convenience of providing the most direct route for all paths of travel. It is possible the designers may also have recognized some benefits for long-term maintenance. The redundancy does provide the ability to keep one side open while while repairing or replacing the steps on the other side. Such long-term considerations do not seem to have been common in that era.
However, it wasn't the idea of keeping the stairs functional while keeping them in good repair that caught my attention. It was the ability to choose a different side if you didn't like the looks of somebody on the stairs. It probably makes little real difference if there is a determined mugger, but the greater feeling of openness and escape routes relieves the feeling of being trapped that typically makes stairs like these feel so sketchy.
Whether intended as anything more than attractive symmetry, there are some clear benefits to this split double stair. It is likely to be a more expensive solution; it requires more space and additional construction, but these are tradeoffs worth weighing for future projects.

Sometimes you notice something new when you revisit a place you used to frequent often. This time, the split in the stairs caught my attention.
Even with its basic, undecorated design, I suspect there was still a Beaux Arts sensibility with a desire for symmetry. I am not so sure the double stairs with a shared landing were based on a functional program.
If there were a functional consideration, it was most likely the convenience of providing the most direct route for all paths of travel. It is possible the designers may also have recognized some benefits for long-term maintenance. The redundancy does provide the ability to keep one side open while while repairing or replacing the steps on the other side. Such long-term considerations do not seem to have been common in that era.
However, it wasn't the idea of keeping the stairs functional while keeping them in good repair that caught my attention. It was the ability to choose a different side if you didn't like the looks of somebody on the stairs. It probably makes little real difference if there is a determined mugger, but the greater feeling of openness and escape routes relieves the feeling of being trapped that typically makes stairs like these feel so sketchy.
Whether intended as anything more than attractive symmetry, there are some clear benefits to this split double stair. It is likely to be a more expensive solution; it requires more space and additional construction, but these are tradeoffs worth weighing for future projects.
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